PREORDER UPCOMING RELEASES

Oh Pep! have returned with their second full-length that takes their alt-folk to a whole new level of delicious pop. Chock full of memorable hooks, sing-along moments I Wasn't Only Thinking About You…, proves itself as a career-defining feat. The band gets its Oh from Olivia 'Liv' Hally (vocals, guitar) and its Pep! from Pepita Emmerichs (violin, mandolin), who met at secondary school in Victoria. Their harmonies are sweet, with lyrics that are thoughtful, deep, funny and poetic.

Andrea Bocelli has teamed up with some of the hottest musical stars on the planet for his forthcoming album Si reuniting with his friend Ed Sheeran after their chart-topping Perfect Symphony on a brand new song called Amo Soltanto Te (written by Ed with lyrics by Tiziano Ferro) and joining with pop sensation Dua Lipa on the single If Only . Crossover superstar Josh Groban and classical soprano Aida Garifullina also duet with Bocelli on the record, which is released on Sugar/Decca on 26th October. It is his first album of new material in 14 years 16 brand new songs which celebrate love, family, faith and hope. At the centre of the new record is a spine-tingling duet between father-and-son, as 20 year-old Matteo Bocelli steps into the limelight to duet with Andrea on Fall On Me a beautifully poignant song which reflects the bond between parent and child. It will appear in the end credits of the hotly-anticipated new Disney film, The Nutcracker and The Four Realms, starring Keira Knightley, Mackenzie Foy, Helen Mirren and Morgan Freeman, to be released on 2nd November. Andrea explains how his voice compares with Matteo's: Technically they are very different, but there is one thing that makes them most similar: the attitude. That characteristic way of expressing yourself through your voice. This makes Matteo and I very similar. But that is something that you cannot learn, that cannot be taught. That is something you are born with.

Soft Hell, Pill’s second full-length album for Mexican Summer, is a raucous, splintering dispatch from New York City, animated by the madcap ingenuity of a foursome finding a palpable sense of joy and play in expressions of caustic, black humor. Like the contradiction of the album title, which references our acceptance of everyday miseries, it’s a slew of dichotomies, a frenzied cutup. It’s bleeding saxophone and lustrous feedback sounding somehow pastoral, and winking hooks subtly infused with venom.

The expansive, charred psychedelia of Pill’s early sound — textured by homemade, circuit-bent instruments and custom effects by guitarist Jon Campolo’s brother Nick — has morphed into something more compact and mischievous but no less evocative. It’s also the most hook-laden, melodic statement in the band’s catalog to date.

Soft Hell, like its Mexican Summer predecessor Convenience, carries forward a free-associative ensemble feel, with the players finding room for intuitive subtleties and melodic interplay even in the most skeletally spare compositions. They play post-punk, maybe no wave, mostly insofar as the terms are far-reaching creative passports.

Grammy-nominated vocalist Jessie J to release new holiday This Christmas Day via Lava Records / Republic Records on 10/26. The album will include her previously released holiday track “Man With The Bag” in addition to holiday classics “Let It Snow,” “Santa Claus Is Comin’ to Town,” and “Jingle Bell Rock”. The album features production by David Foster. Jessie J will embark on her first US headlining tour this October.

Since the early 90s Sweden’s Opeth have stretched the boundaries of heavy music. From the progressive death metal the band began with on classics like “Orchid” and “My Arms, Your Hearse” to the records like “Blackwater Park” and the band’s recent record, 2016’s “Sorceress”, Opeth has continually invited their growing audience along with them as they grew into the musically respected band they are today. Filmed and recorded in 2017 at Red Rocks Amphitheatre outside of Denver, “Garden of the Titans (Opeth Live at Red Rocks Amphitheatre)” is a 2-CD/BLU-RAY + DVD release (along with several vinyl color formats) consisting of tracks spanning the band’s nearly 30 year career.

Dan Mangan is a multiple JUNO Award-winning singer/songwriter who pairs the rich vocals and classic, melody-driven songwriting of Van Morrison and Nick Drake with the clever, everyman lyrical insights of The National and Ryan Adams. More Or Less, Mangan’s fifth studio album, uses perceptive wit and storytelling to grapple with the experience of growing older and becoming a new parent in an increasingly distressing world, finding hope and love while forging ahead into an unknown future.

The verb, the noun, the substance, the action, the command: make a mark! With that, PAINT (guitarist/singer Pedrum Siadatian of the Allah-Las), is making his mark too with his first, self-titled solo record.

PAINT started by four-tracking his own strange, slow-growing ideas just after Allah-Las third album Calico Review (2016) fed or led by a certain acid-bitter poetry and the murky music of Kevin Ayers and Syd Barrett. Siadatian found a producer in Frank Maston, who instinctively understood these songs would fall apart if scrubbed too roughly in the studio.

Think of it this way: PAINT’s first album isn’t always clean, but it’s very very clear. Sometimes the mess is the message.

JD McPherson presents A Christmas Album, SOCKS. Featuring 11 original tracks written by JD McPherson and his friends. SOCKS is an album of Holidays songs sure to be standards while you are decorating the tree. Come get warm by the fire with songs such as , "All The Gifts I Need" and "Every Single Christmas." Or, burn the cookies to "SOCKS" and "Ugly Christmas Sweater." There is something for everyone on this record to enjoy whether you are in the Christmas spirit or if you just wanna say, "Bah Humbug".

King Gizzard and the Lizard Wizard’s second EP, Willoughby’s Beach was self-released in 2011 and originally limited to 350 hand-numbered copies. Lo-fi garage rock.

- New Artwork Re-Imagined by Ican Harem

- Red Colored Vinyl

- On 12” 45rpm for the First Time

- Heavyweight Jacket w/Embossed Spot UV Coating and custom Inner Sleeve

The debut full length album by KG&TLW, originally released in 2012 and limited to 500 hand-numbered copies. Psychedelic lo-fi garage rock.

Green colored vinyl with new art reimagined by Jason Galea

Originally released on Sept 7 2012 & limited to 500 hand numbered copies on red speckled vinyl.  It has never been reissued or repressed.

The second full length album by KG&TLW, released in 2013 and originally limited to 500 copies. A cult western audio book, the album is narrated and tells a story of the American Frontier. Spaghetti western, garage rock. The original pressing was limited to 500 copies on sky blue wax.  It has never been repressed or reissued.

New Artwork Re-imagined by Jason Galea

Halloween Orange-Colored Vinyl

On 12” 45rpm for the First Time

Heavyweight Jacket with Inner Sleeve

The third full length album by KG&TLW released in 2013 featuring the ‘Gizzhead National Anthem’ “Head/On-Pill”. It was repackaged in the USA as a double Lp with Oddments in 2014 and has since been out of print. Psychedelic garage rock.

Original artwork

LP Includes original artwork and 24”x24” foldout poster

Easter Yellow-Colored Vinyl

Heavyweight Jacket with Inner Sleeve

The 4th studio album by KG&TLW released in 2014 featuring a collection of odd songs recorded between 2007-2014. Originally limited to 500 copies. Pyschedelic rock/pop.

Re-designed Gatefold of Original Art by Jason Galea

Grimace Purple-Colored Vinyl

Set for release on November 9, the bands fourth LP 'Take Good Care' is previewed with the first single 'All My Friends,' a song brimming with confidence that unleashes the bands next chapter. The track which is already Top 3 at AAA and Top 10 at Modern Rock. 'All my Friends' will cross over to Hot AC in early October followed by Top 40. This is just the start! 'You Said it All', 'Oh No' and 'Some People Say' are just a few of the potential chart-toppers in this collection, which was co-produced with Dave Cobb (Sturgill Simpson, Chris Stapleton) and Andrew Dawson (Kanye, Fun) it's a project showcasing new found depth and craft that mark a band bent on proving they are far more than a band synonymous with a single song.

In November 1968, millions of double LPs were shipped to record stores worldwide ahead of that tumultuous year’s most anticipated music event: the November 22^nd release of The BEATLES (soon to be better known as ‘The White Album’). With their ninth studio album, The Beatles took the world on a whole new trip, side one blasting off with the exhilarating rush of a screaming jet escorting Paul McCartney’s punchy, exuberant vocals on “Back In The U.S.S.R.” “Dear Prudence” came next, John Lennon warmly beckoning his friend and all of us to “look around.” George Harrison imparted timeless wisdom in “While My Guitar Gently Weeps,” singing, “With every mistake we must surely be learning.” Ringo Starr’s “Don’t Pass Me By” marked his first solo songwriting credit on a Beatles album. For 50 years, ‘The White Album’ has invited its listeners to venture forth and explore the breadth and ambition of its music, delighting and inspiring each new generation in turn.

On November 9, The Beatles will release a suite of lavishly presented ‘White Album’ packages (Apple Corps Ltd./Capitol/UMe). The album’s 30 tracks are newly mixed by producer Giles Martin and mix engineer Sam Okell in stereo and 5.1 surround audio, joined by 27 early acoustic demos and 50 session takes, most of which are previously unreleased in any form.

“We had left Sgt. Pepper’s band to play in his sunny Elysian Fields and were now striding out in new directions without a map,” says Paul McCartney in his written introduction for the new ‘White Album’ releases.

This is the first time The BEATLES (‘White Album’) has been remixed and presented with additional demos and session recordings. The album’s sweeping new edition follows 2017’s universally acclaimed Sgt. Pepper’s Lonely Hearts Club Band Anniversary Edition releases. To create the new stereo and 5.1 surround audio mixes for ‘The White Album,’ Martin and Okell worked with an expert team of engineers and audio restoration specialists at Abbey Road Studios in London. All the new ‘White Album’ releases include Martin’s new stereo album mix, sourced directly from the original four-track and eight-track session tapes. Martin’s new mix is guided by the album’s original stereo mix produced by his father, George Martin.

“In remixing ‘The White Album,’ we’ve tried to bring you as close as possible to The Beatles in the studio,” explains Giles Martin in his written introduction for the new edition. “We’ve peeled back the layers of the ‘Glass Onion’ with the hope of immersing old and new listeners into one of the most diverse and inspiring albums ever made.”

Charles Bradley's forthcoming LP, Black Velvet is an extraordinary collection of 10 tracks making their LP debut. In addition to fan favorites like Charles covers of Nirvanas 'Stay Away', Neil Young's 'Heart Of Gold', and Rodriguez's 'Slip Away' - this album features 4 never-before-heard tracks from Producer Tommy 'TNT' Brenneck's vaults.

Sarah Brightman returns with her new studio album, HYMN, reuniting with long time producer and collaborator Frank Peterson, with whom she created chart topping albums such as Timeless (Time To Say Goodbye), Eden, La Luna, Harem, Symphony, and A Winter Symphony. HYMN is an inspirational collection of orchestrated, choir-based songs. Brightman, kept thinking about the word, HYMN, and to her it suggested joy a feeling of hope and light, something that is familiar and secure. For Brightman, every project comes from an emotional place, and HYMN is no exception. HYMN was recorded over the past two years in Hamburg, Miami, London, Vancouver, Los Angeles, New York, and Budapest, and encompasses songs by such modern composers as Eric Whitacre (Fly To Paradise), Japanese superstar musician and songwriter Yoshiki (Miracle), and German DJ Paul Kalkbrenner (Sky and Sand). HYMN's mystical, uplifting tone is set with its title track a song by British prog-rock band Barclay James Harvest. From there, the album becomes excitingly eclectic, encompassing many styles. Sogni, described as a mash-up of two arias from two different operas by French composer Georges Bizet, is flawlessly sung by Brightman and French tenor Vincent Niclo. Also included are Canto Per Noi, written by famed Italian composer Ennio Morricone and Romano Musumarra, and Follow Me, the love theme from the 1962 film Mutiny on the Bounty. Finally, the album closes with a new rendition of Brightman s signature smash duet with Andrea Bocelli, Time To Say Goodbye, in a new solo rendition with lyrics Sarah wrote herself, and sung in English for the first time.

The limited edition Super Deluxe Edition 4-CD, 1-DVD, and audiophile 180-gram 7-LP box set holds 88 tracks – 64 songs plus 24 videos, with 13 recordings previously unreleased overall – from all stages of Chris’ career including Soundgarden, Temple of the Dog, Audioslave and his solo works. The package includes the 66-page hardcover photo book wrapped in linen with red foil signature, 3 artist lithos, 3 photochromatic lithos inspired by Cornell’s lyrical fascination about the sun, a vinyl turntable mat, a microfiber vinyl cleaning cloth, liner notes, and a 36x48-inch wall poster.

The 2015 Hemispheres album remaster is available on CD for the first time along with previously unreleased and newly restored bonus content consisting of the band’s 1979 Pinkpop festival performance. Includes 3, 180g LPs mirroring the 2 CDs. The Blu-Ray disc features the album newly mixed from the original multi-tracks in 5.1 surround sound along with 4 bonus videos. Also includes a 40-page hard cover book with unreleased photos and new artwork by Hugh Syme, an extensive essay by Rob Bowman, a 1979 tour replica program, a wall poster, a Pinkpop Festival replica ticket and VIP pass, and a replica 1978 “Rush” Hemispheres iron-on patch.

The lost album from Glen Campbell, Sings for the King contains eighteen recently unearthed and restored studio recordings from 1965-1967 that casts new light on the influence that Campbell had on America’s greatest rock and roll star, Elvis Presley. Before his breakthrough single “Gentle On My Mind” Campbell was recording songs for legendary songwriter Ben Weisman, who wrote an unmatched 57 songs recorded by Elvis Presley. Campbell had an uncanny knack to sings in Elvis’s key and thirteen of these tracks went on to be recorded and released by Presley. The collection highlights Campbell’s incredible musicianship and contains “We Call on Him” a previously unreleased duet fused from the voices of Presley and Campbell.

This Studio Albums Collection box set comprises the complete Creedence Clearwater Revival studio output, from 1968 to 1972. Each 180-gram LP has been mastered at half-speed at Abbey Road Studios, benefiting from an exacting process that allows for an exceptional level of sonic clarity. The discs come housed in handsome tip-on jackets replicating the packaging of the original pressings. The set also features an 80-page book with new liner notes, archival photos and reproductions of band ephemera offering something for both new and the most diehard of Creedence fans.

2LP w/ DL, bonus EP with 4 traditional covers, blue vinyl, insert

Anchored by poignant songwriting and their intimate live shows, Mandolin Orange (Andrew Marlin and Emily Frantz) has quietly and confidently found their audience. On February 1, they will release a new album, Tides of a Teardrop, through Yep Roc Records. Thematically this album is a release for Andrew Marlin, the group's songwriter. He lost his mother at a younger age, and although that has impacted his writing in the past, this collection of songs is thematically about letting go and finding peace. Marlin and Frantz were joined by their touring band and for the first time, took more than a few quick days between tour, to record the album. That level of comfort shines through in the band's most accomplished set of songs to date.