Passenger is Mike Rosenberg, the Brighton-born singer/songwriter known for busking his way to the global hit “Let Her Go” which topped the charts in 19 countries. Produced by Rosenberg, along with longtime collaborator Chris Vallejo, the new album is largely inspired by the North American landscape and geography, both musically and lyrically, and taps into Rosenberg’s family roots in New Jersey. This brings a fresh new approach and sound, and speaks to the road going traveler in all of us.
Alina Baraz surprises fans with a new 9-song album prelude, The Color of You, that includes 8 new songs and "Electric" feat. Khalid. The prelude is her first extended release since the chart-topping Urban Flora EP and 2017's viral hit, "Electric" featuring Khalid. Using color as a metaphor and a means of describing the discovery of new emotions, the project sees Alina thrive with her trademark vocal effervescence while exploring new sensual and striking production directions. The Color of You thematically explores young love and musically captivates with an allover bigger sound, reflective of today's updated pop genre, a mix of R&B and electronic styles.
Leading with his heart as much as with his head, AHI is an emotional yet discerning lyricist who would rather demonstrate love than use the word itself. He allows his light to shine inward but only to a degree, admitting to some autobiography on In Our Time but as glimpsed through an imaginative lens. While his music possesses a quality of timelessness, the sounds here reveal a broad spectrum of influence and also toe the line between retro and revelatory. None of that is by accident: the album, like its 2016 predecessor, We Made It Through the Wreckage, was recorded in Nashville -- a place AHI finds attractive for its sound and skilled studio hands rather than its glitzy polish -- and this time on analog-to-tape with flourishes of digital technology.
Ten years after Mamma Mia! The Movie grossed more than $600 million around the world, fans are invited to return to the magical Greek island of Kalokairi in an all-new original musical based on the songs of ABBA. With the film’s original cast returning and new additions including Lilly James and Academy Award® winner Cher, the musical comedy will open on July 20, 2018. Original ABBA member Benny Andersson produced and arranged the upcoming soundtrack.
Vinyl: $17.98 PRE ORDER
This July marks the 50th anniversary of one of the most iconic and groundbreaking animated films of all time with a limited run of screenings around the world. As part of the celebrations, Capitol are releasing this picture disc of the title song, Yellow Submarine b/w Eleanor Rigby, which together was originally released as the band’s 13th single in August 1966.
Featuring images taken from the high resolution 4k restoration of the film, this limited edition single is a fun way for us all to join the party!
My head feels like it is exploding with the amount of information we are forced to consume on a daily basis, and how that information is so DISTORTED there is almost no longer any tangible truth,” says James. “The name of my new record is UNIFORM DISTORTION because I feel like there is this blanket distortion on society/media and the way we gather our ‘news and important information. More and more of us are feeling lost and looking for new ways out of this distortion and back to the truth…and finding hope in places like the desert where I write this now...finding hope in the land and in the water and in old books offering new ideas and most importantly in each other and love.
CHECK OUT THE SINGLES:
Unknown until 2004 and unheard until now, these recordings by the John Coltrane Quartet are, as Sonny Rollins says in the liner notes, “like finding a new room in the Great Pyramid.” With the discovery of the ¼”reference tapes that Coltrane took home with him after the recording session a session that was completely unknown and for which master tapes don’t exist an important chapter in the evolution of Coltrane’s music can now be heard for the first time. Featuring the Classic Quartet John Coltrane, McCoy Tyner, Jimmy Garrison and Elvin Jones and recorded at the end of a two week run at Birdland, the music on this album represents one of the most influential groups in music history both performing in a musical style it had perfected and reaching in new, exploratory directions that were to affect the trajectory of jazz from that point forward.
There comes a point in every career of note, when it’s time to dig a trench in the turf; to define exactly who you are in a way that resonates in the broadest possible manner. For Bullet For My Valentine – now two decades deep into their story, one of rock and metal’s foremost names, a genuine success – that time is now.
Produced and mixed by Carl Bown, ‘Gravity’ (the UK band’s sixth studio album, the follow-up to 2015’s ‘Venom’) sees the musicians delivering a body of work that looks set to add extra layers of excitement and meaning both to their own trajectory and to the genre per se. At a time when the international scene feels ready for a serious shot in the arm, ‘Gravity’ is an album of true craft and vision – an ambitious labour of love with the weight and the punch that the band’s extensive, ever-burgeoning fan-base has come to expect, a point made in style by lead single / video ‘Over It’, whilst adding enough in terms of atmosphere, melody and contemporary sheen to spin heads in wider circles.
Backed up by an extensive worldwide touring plan that sees BFMV’s strongest ever line-up playing major shows and festivals for the whole of 2018 (and beyond), ‘Gravity’ already feels like an important album. Simply, this is frontman Matt Tuck and his fellow players thinking big and bold and refusing to compromise or back down.
The title is ‘Gravity’, but the music is set to rise like a rocket. Let the countdown commence…
Six-time Grammy-nominee Florence + the Machine to release hugely-anticipated new album ‘High As Hope’ June 29th via Virgin EMI / Republic Records. ‘High As Hope’ is the sound of an artist who appears more certain than ever of herself. Florence writes about her teens and twenties with a renewed, more mature perspective: of growing up in South London, of family, relationships and art itself. The first official single ‘Hunger,’ is out now.
CD: $179.98 PRE ORDER
Following the group’s 1985 formation, Guns N’ Roses injected unbridled attitude into the burgeoning Los Angeles rock scene. They went on to captivate the entire world with the July 21, 1987 release of Appetite For Destruction, which remains the best-selling U.S. debut album ever, moving over 30 million copies globally. Appetite features such indelible tracks such as the No. 1 single “Sweet Child O’ Mine,” “Welcome To The Jungle,” “Nightrain,” and “Paradise City.”
The Appetite For Destruction: Super Deluxe Edition features 4CDs including the album newly remastered for the first time ever; B-sides N’ EPs newly remastered; the previously unreleased 1986 Sound City Session N’ More recordings; a Blu-ray Audio disc with the album, bonus tracks and music videos in brand new 5.1 surround sound along with the unearthed music video for “It’s So Easy” originally shot in 1989 but never finished; and a 96-page hardcover book showcasing unseen photos from Axl Rose’s personal archive and wealth of memorabilia. In addition, the Super Deluxe Edition contains collectables like never-before-seen band lithos, replica concert tickets, a wall poster, temporary band member tattoos , a Robert Williams painting litho, and a replica “Welcome To The Jungle” video shoot invite flyer originally drawn by Slash.
Vinyl: $21.98 PRE ORDER
The Milk Carton Kids’ fifth album , All the Things That I Did and All the Things That I Didn’t Do arrives from ANTI- Records on June 29. The new project marks the first time that acoustic duo Joey Ryan and Kenneth Pat- tengale have brought a band into studio with them. “We wanted to do something new,” Pattengale says. “We had been going around the country yet another time to do the duo show, going to the places we’d been before. There arose some sort of need for change.” “Musically we knew we were going to make the record with a big- ger sonic palette,” says Ryan. “It was liberating to know we didn’t have to be able to carry every song with just our two guitars.” “Sometimes in singing, we’ll switch parts for a beat or a bar or a note,” Ryan says. “And things start to obscure what is the melody and what is the supporting part.” A third presence rises out of their combined voices. “There are only so many things you can do alone that al- low you to transcend your sense of self for even a short period,” Pattengale says. “I’m the lucky recipient of a life in which for hundreds of times, day after day, I get to spend an hour that is like speaking a language only two people know and doing it in a space with others who want to hear it.”
The Interrupters are an L.A. based four-piece bound by their rebel spirit and deep love of punk, rock, ska and 2 Tone. They make super high-energy rock -n-roll that’s equal parts catchy and confrontational. Their third album, Fight The Good Fight, was produced by Rancid’s Tim Armstrong and released on his Hellcat imprint for Epitaph Records. The album features front-woman Aimee Interrupter, guitarist Kevin Bivona, bassist Justin Bivone and drummer Jesse Bivona, spitting out lyrics that take on matters as thorny as family, friendship, martial law and loyalty, while churning out bouncing rock-steady rhythms and snarly guitar riffs. The Interrupters have built their live act of unstoppable energy and a feeling of easy community that reflects their familial vibe. They had toured the world with the likes of Green Day and Rancid and played huge festivals from The Vans Warped tour to Coachella. “There is usually a dance party going on in the crowd, which we appreciate since we always have our own dance party happening on stage,” says guitarist Kevin Bivona. The Interrupters will be dancing their way to a town near you this summer on many festivals and tours including The Punk in Drublic Festivals, Back to The Beach Festival and the Main Stage on Vans Warped Tour.
In the lush tobacco fields of North Carolina where BJ Barham was raised, people work hard. Families stay nearby, toiling and growing together. BJ loves those farms and his tiny Reidsville hometown, but he had to run off and start American Aquarium, a band now beloved by thousands. BJ couldn’t stay. But he couldn’t really leave, either: he’s still singing about the lessons, stories, and lives that define rural America––and him. Recorded at 3CG Records in Tulsa, Oklahoma, American Aquarium’s seventh studio album, Things Change was produced by Grammy-nominated singer-songwriter John Fulbright and features cameos from Americana standouts including John Moreland and Jamie Lin Wilson. Stacked with BJ’s signature storytelling––always deeply personal but also instantly relatable––Things Change questions and curses current events, shares one man’s intimate evolution, and leaves listeners with a priceless gift: hope. BJ’s candor has fueled American Aquarium’s runaway appeal, visible most clearly in consistently sold-out shows across the country and throughout Europe - between 200 and 250 dates a year. Much has changed for the band and BJ since their acclaimed last effort, Wolves. In 2017, every American Aquarium member save BJ quit the group. American Aquarium has featured about 30 players since BJ founded the outfit in 2006, and while each member has left indelible marks, the band has always been anchored by the literary songs and sometimes roaring, sometimes whispering, drawl of BJ Barham. Featuring a new band lineup that includes Shane Boeker on lead guitar, drummer Joey Bybee, bassist Ben Hussey, and Adam Kurtz on pedal steel and electric guitar, as well as a reinvigorated frontman in BJ, Things Change is American Aquarium’s first release on a label after selling thousands of records on their own.
Sometimes the catalyst for creating great art is simply being in the right place at the right time. For Arthur Buck, the new collaboration between singer-songwriter Joseph Arthur and guitarist Peter Buck, that place was Mexico, and that time was the fall of 2017. Specifically, a little town off the Baja coast named Todos Santos, with the Sierra de la Laguna mountains to the east and the bright blue Pacific stretching out infinitely to the west. It is here that Buck has, for the last several years, held the Todos Santos Music Festival, which he created with his wife, Chloe Johnson, in 2012, shortly after R.E.M. called it a day. Among the many artists who have played the festival is Joseph Arthur, who also happened to leave behind a guitar—a Dobro, specifically—after his last appearance there. And so last year he made the trek down to Todos Santos to pick up the instrument. Which is where he ran into Peter Buck.
That was the beginning of Arthur Buck. The creative result of this relationship is a vibrant 11-song collection that captures the spontaneity at the heart of the project—right down to the 1-2-3-4 count off from Buck that opens the record—with sounds and styles meshed together in an easy, almost playful manner. Tchad Blake was brought in to mix the proceedings, and the result is the new Arthur Buck—the result of a shockingly productive burst of inspiration.
It's rare that a band's debut album sounds as confident and self-assured as Rolling Blackouts Coastal Fever's Hope Downs. To say that the first full-length from the Melbourne quintet improves on their buzz-building EPs from the last few years would be an understatement: the promise those early releases hinted at is fully realized here, with ten songs of urgent, passionate guitar pop that elicit warm memories of bands past, from the Go-Betweens' jangle to the charmingly lo-fi trappings of New Zealand's Flying Nun label. But don't mistake Rolling Blackouts Coastal Fever for nostalgists: Hope Downs is the sound of a band finding its own collective voice.
GRAMMY® Award-winning pair Jennifer Nettles and Kristian Bush are refreshing their musical visions while staying true to an authentic sound and emotive songwriting that has made Sugarland ubiquitous with Country music duos. The Georgia natives released their first new music in seven years with “Still The Same” setting the tone for their joint venture with Big Machine Records and UMG Nashville. Their highly-anticipated new album BIGGER will be released on June 8.
The Mountain is Dierks Bentley's ninth studio album. The writing process came together quickly when Bentley returned to Telluride a short time later for a retreat with fellow songwriters Natalie Hemby, Luke Dick, Ross Copperman, Jon Randall, Jon Nite and Ashley Gorley. The bulk of the album’s songs, including the title track were written during that week, which Bentley describes as the most inspiring creative experience he’s ever had.
2018 collaboration between the singer/songwriter and actress/vocalist, and follow up to their 2009 album ‘Break Up’. Comprised of 5 new recordings, including the single “Bad Dreams” (a cover of Brooklyn-based band The Echo Friendly’s “Worried”), and a new version of “Tomorrow” (previously featured on Yorn’s 2014 album ‘ArrangingTime’). “If Break Up was dealing with an unraveling relationship, Apart is dealing with the aftermath,” Yorn explains. “It acknowledges the array of heavy emotions that come up living separate lives. You’re getting used to the idea of not being with someone who has been a big part of your life.” Scarlett Johansson adds, “Being able to revisit this project with Pete in a totally different context but within the same creative parameters is a unique artistic opportunity for me.”
*Loser Edition on metallic purple vinyl w/ jacket variation while supplies last*
Written largely in New York between summer 2016 and winter 2017, Josh Tillman’s fourth Father John Misty LP, God’s Favorite Customer, reflects on the experience of being caught between the vertigo of heartbreak and the manic throes of freedom.
God’s Favorite Customer reveals a bittersweetness and directness in Tillman’s songwriting, without sacrificing any of his wit or taste for the absurd. From “Mr. Tillman,” where he trains his lens on his own misadventure, to the cavernous pain of estrangement in “Please Don’t Die,” Tillman plays with perspective throughout to alternatingly hilarious and devastating effect. “We’re Only People (And There’s Not Much Anyone Can Do About That)” is a meditation on our inner lives and the limitations we experience in our attempts to give and receive love. It stands in solidarity with the title track, which examines the ironic relationship between forgiveness and sin. Together, these are songs that demand to know either real love or what comes after, and as the album progresses, that entreaty leads to discovering the latter’s true stakes.
God's Favorite Customer was produced by Tillman and recorded with Jonathan Rado (Foxygen), Dave Cerminara (Jonathan Wilson, Foster the People, Conor Oberst), and Trevor Spencer (FJM). The album features contributions from Haxan Cloak, Natalie Mering of Weyes Blood, longtime collaborator Jonathan Wilson, and members of Misty’s touring band.
'Noonday Dream,' the highly anticipated new album from Ben Howard, is set for release 6/1 on Republic Records. 'Noonday Dream' was written and produced by Howard, with production contributions from regular collaborator and band-mate Mickey Smith. Howard's music has amassed well over half a billion streams to date and has earned the singer-songwriter an Ivor Novello Award nomination, the U.K.'s most prestigious songwriting accolade, in addition to two Brit Awards in 2012 for 'British Breakthrough' and 'British Solo Male Artist.'
Producer/singer/songwriter Neko Case has won a large and loyal audience for her smoky, sophisticated vocals and the downcast beauty of her music. Now more than 23 years into her musical calling, Case is the consummate career artist--fearless and versatile, with a fierce work ethic and a constant drive to search deeper within herself for creative growth.
On June 1st, Anti- will release Neko Case’s ‘Hell On,’ an indelible collection of colorful, enigmatic storytelling that features some of her most daring, through-composed arrangements to date. Produced by Neko with help from Bjorn Yttling (Peter Bjorn & John), ‘Hell On’ is simultaneously the most accessible and most challenging album in a rich and varied career that’s offered plenty of both. Rife with withering self-critique, muted reflection, anthemic affirmation, and her unique poetic sensibility, the 12 tracks of ‘Hell On’ — which features collaborations such as Joey Burns, Beth Ditto, Kelly Hogan, KD Lang, AC Newman, Paul Rigby, Laura Veirs, and more.
Legendary front man of The Who, Roger Daltrey, to release brand-new studio album, 'As Long As I Have You,' on 6/1. 'As Long As I Have You' is Roger’s first solo album since 1992. The album will feature 11 new studio recordings of new Roger Daltrey written tracks and covers of tracks from the likes of Steve Stills, Parliament, Nick Cave, Stevie Wonder & Dusty Springfield. Additionally, the album features guitar from Pete Townshend. 'As Long As I Have You' was produced by the iconic producer Dave Eringa.
Since releasing their debut album in 1998, Snow Patrol has gone on to be one of the biggest acts in the world. With over 10 million global album sales, 1 billion global track streams, 5 UK Platinum awards, 6 BRIT Award nominations, 1 GRAMMY nomination, 1 Mercury Music-Prize nomination, a massive and passionate fan base, the band is back with their 7th album, Wildness, out 5/25. Wildness follows Snow Patrol's 2011 record, Fallen Empires, and finds the group reuniting with longtime producer Jackknife Lee.